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The ConFluence-Film Blog is dedicated to discussions, studies, and casual pieces concerning a variety of topics relating to film, filmmaking, media studies and cinema history. More generally, it showcases the rambling observations of a film-loving, filmmaking bloke named Daniel Kremer. Please feel entirely free to post responses to any of the posts made. Welcome!
Films by Daniel Kremer
- Charles at the Threshold (2006) (short)
- Yarns Yet To Be Spun (2007) (short)
- Sophisticated Acquaintance (2007)
- A Trip to Swadades (2008)
- A Collection of Chemicals (2009) (short)
- Ceiling-Head Angel (2010) (short)
- The Idiotmaker's Gravity Tour (2011)
- In the Womb of the Cauldron (2012) (short)
- A Simple Game of Catch (2012)
- Raise Your Kids on Seltzer (2015)
- Ezer Kenegdo (2017)
- Overwhelm the Sky (2018)
- Even Just (2019) (in post-production)
- Surface Pressures (2020, in production)
- Sidney J. Furie: Fire Up the Carousel! (2019) (in production)
- I Forgive Swissvale (2020) (in production)
- Precious Wheels Above (2020) (in pre-production)
ConFluence's Favorite Blogs
ConFluence's Favorite Films
- The Leather Boys (Furie, 1963)
- La Belle Noiseuse (Rivette, 1991)
- The Life and Death of Colonel Blimp (Powell and Pressburger, 1943)
- Kamouraska (Jutra, 1973)
- Puzzle of a Downfall Child (Schatzberg, 1970)
- Celine and Julie Go Boating (Rivette, 1974)
- The Ipcress File (Furie, 1965)
- Andrei Rublev (Tarkovsky, 1966)
- Mon Oncle Antoine (Jutra, 1971)
- Crumb (Zwigoff, 1995)
- The Profound Desire of the Gods (Imamura, 1968)
- Once Upon a Time in the West (Leone, 1969)
- L'Atalante (Vigo, 1934)
- Mr. Klein (Losey, 1976)
- The Cloud-Capped Star (Ghatak, 1960)
- A Star is Born (Cukor, 1954)
- Hit! (Furie, 1973)
- Sheila Levine is Dead and Living in New York (Furie, 1975)
- Dear Mr. Wonderful (Lilienthal, 1982)
- Rosemary's Baby (Polanski, 1968)
- Hester Street (Silver, 1975)
- The Unbearable Lightness of Being (Kaufman, 1988)
- Nanook Taxi (Folger, 1977)
- Edvard Munch (Watkins, 1973)
- Rocco and His Brothers (Visconti, 1960)
- Montreal Main (Vitale, 1974)
- Odd Man Out (Reed, 1947)
- The Structure of Crystals (Zanussi, 1969)
- A Safe Place (Jaglom, 1971)
- The Ernie Game (Owen, 1967)
- Saint Jack (Bogdanovich, 1979)
- Eros Plus Massacre (Yoshida, 1969)
- Punishment Park (Watkins, 1971)
- The Apu Trilogy (Ray, 1955-59)
- The Leopard (Visconti, 1963)
- Berlin Alexanderplatz (Fassbinder, 1980)
- Killer of Sheep (Burnett, 1977)
- 2001: A Space Odyssey (Kubrick, 1968)
- Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb (Kubrick, 1964)
- Hannah and Her Sisters (Allen, 1986)
- Tracks (Jaglom, 1976)
- A tout prendre (Jutra, 1963)
- Eva (Losey, 1962)
- Children of Paradise (Carne, 1945)
- The Loneliness of the Long-Distance Runner (Richardson, 1962)
- Paris Nous Appartient (Rivette, 1960)
- The Charge of the Light Brigade (Richardson, 1968)
- Barry Lyndon (Kubrick, 1975)
- The L-Shaped Room (Forbes, 1962)
- Mademoiselle (Richardson, 1966)
- Cul-de-Sac (Polanski, 1966)
- Little Fauss and Big Halsy (Furie, 1970)
- Dog Day Afternoon (Lumet, 1975)
- Daddy Longlegs (Go Get Some Rosemary) (The Safdies, 2010)
- La Mort en Direct (Tavernier, 1980)
- The Rain People (Coppola, 1969)
- Make Way for Tomorrow (McCarey, 1937)
- Chinatown (Polanski, 1974)
- One-Eyed Jacks (Brando, 1961)
- Young Mr. Lincoln (Ford, 1939)
- Lawrence of Arabia (Lean, 1962)
- The Apprenticeship of Duddy Kravitz (Kotcheff, 1974)
- 12 Angry Men (Lumet, 1957)
- Martha Marcy May Marlene (Durkin, 2011)
- The 400 Blows (Truffaut, 1959)
- Electra Glide in Blue (Guercio, 1973)
- Ride the High Country (Peckinpah, 1962)
- The Sugarland Express (Spielberg, 1974)
- Chronicle of the Years of Fire (Lakhdar-Hamina, 1975)
- Apocalypse Now (Coppola, 1979)
- Kes (Loach, 1969)
- The Grapes of Wrath (Ford, 1940)
- Medicine Ball Caravan (Reichenbach, 1971)
- Route One U.S.A. (Kramer, 1989)
- Being There (Ashby, 1979)
- City Lights (Chaplin, 1936)
- The Night They Raided Minsky's (Friedkin, 1968)
- Lola Montes (Ophuls, 1955)
- Bunny Lake is Missing (Preminger, 1965)
- My Dinner With Andre (Malle, 1981)
- American Movie (Smith, 1999)
- Detour (Ulmer, 1945)
- Strangers on a Train (Hitchcock, 1951)
- A Canterbury Tale (Powell & Pressburger, 1944)
- City for Conquest (Litvak, 1940)
- A Double Life (Cukor, 1947)
- Crimes and Misdemeanors (Allen, 1989)
- O Lucky Man! (Anderson, 1973)
- The Long Goodbye (Altman, 1973)
- Rope (Hitchcock, 1948)
- Minnie and Moskowitz (Cassavetes, 1971)
- The Human Condition (Kobayashi, 1960)
- Last Tango in Paris (Bertolucci, 1972)
- In a Lonely Place (Ray, 1949)
- Circle of Deceit (Schlondorff, 1981)
- The Passenger (Antonioni, 1975)
- A Woman Under the Influence (Cassavetes, 1974)
- America, America (Kazan, 1963)
- Johanna d'Arc of Mongolia (Ottinger, 1989)
- Grand Illusion (Renoir, 1937)
- McCabe and Mrs. Miller (Altman, 1971)
- Mikey and Nicky (May, 1976)
- They Shoot Horses Don't They? (Pollack, 1969)
- The Night of the Following Day (Cornfield, 1968)
- Kings and Desperate Men (Kanner, 1981)
- A Face in the Crowd (Kazan, 1957)
- Malpertuis (Kumel, 1972)
- The Plot Against Harry (Roemer, 1969)
- Ninotchka (Lubitsch, 1939)
- The Last Detail (Ashby, 1973)
- Up Down Fragile (Rivette, 1995)
- White Heat (Walsh, 1949)
- Greed (Von Stroheim, 1925)
- Isadora (Reisz, 1968)
- Paris, Texas (Wenders, 1984)
- Sometimes a Great Notion (Newman, 1971)
- Breaking the Waves (Von Trier, 1996)
- Where the Sidewalk Ends (Preminger, 1950)
- Amarcord (Fellini, 1974)
- Citizen Kane (Welles, 1941)
- Tokyo Story (Ozu, 1953)
- Taking Off (Forman, 1971)
- Midnight Cowboy (Schlesinger, 1969)
- Wild Strawberries (Bergman, 1957)
- Signal 7 (Nilsson, 1983)
- Meet John Doe (Capra, 1940)
- Heaven's Gate (Cimino, 1980)
- Schindler's List (Spielberg, 1993)
- Chimes at Midnight (Welles, 1966)
- Soldier of Orange (Verhoeven, 1978)
- Camera Buff (Kieslowski, 1979)
- Some Came Running (Minnelli, 1958)
- La Dolce Vita (Fellini, 1961)
- Lightning Over Water (Wenders, 1980)
- Regular Lovers (Garrell, 2005)
- Monsieur Verdoux (Chaplin, 1947)
- Mouchette (Bresson, 1967)
- Chilly Scenes of Winter (Silver, 1979)
- The Apartment (Wilder, 1960)
- In Cold Blood (Brooks, 1967)
- A Time to Love and a Time to Die (Sirk, 1958)
- Something for Everyone (Prince, 1970)
ConFluence's Favorite Directors
- Jacques Rivette
- Sidney J. Furie
- Claude Jutra
- Andrei Tarkovsky
- Jean Vigo
- Michael Powell/Emeric Pressburger
- Nicolas Roeg
- Joseph Losey
- Robert Altman
- Jean Renoir
- John Cassavetes
- Luchino Visconti
- Tony Richardson
- Ritwik Ghatak
- Max Ophuls
- John Huston
- Ingmar Bergman
- George Cukor
- Joan Micklin Silver
- Orson Welles
- Alan J. Pakula
- Robert Bresson
- Frank Perry
- Peter Watkins
- Shohei Imamura
- Charles Chaplin
- Vincente Minnelli
- Rainer Werner Fassbinder
- Satyajit Ray
- Jules Dassin
- Henry Jaglom
ConFluence's Favorite Actors
- Gena Rowlands
- Glenda Jackson
- Jeanne Moreau
- Warren Oates
- Max Von Sydow
- Viveca Lindfors
- Peter Sellers
- John Garfield
- James Cagney
- Catherine Deneuve
- Marlon Brando
- Edward G. Robinson
- Sandrine Bonnaire
- Karen Black
- Philippe Noiret
- Michael Caine
- Daniel Day-Lewis
- Robert Mitchum
- Lionel Stander
- Gerard Depardieu
- Lena Olin
- Michel Piccoli
- Jill Clayburgh
- Jason Robards
- Dirk Bogarde
- Rosalind Russell
- Allen Garfield
- Anthony Quinn
- Tuesday Weld
- Tom Wilkinson
- Ellen Burstyn
- Jason Robards
- Simone Signoret
- Anton Walbrook
- Claudia Cardinale
- David Proval
- David Opatoshu
- Theodore Bikel
- Elliott Gould
- Dominique Sanda
About the Writer
Daniel Kremer grew up in Pittsburgh, Pennsylvania and lives in San Francisco, California. While residing in Philadelphia and New York City, he wrote and directed many films of both short and feature-length. The black-and-white super-16mm feature-length narrative A Trip to Swadades and the autobiographical documentary short subject Yarns To Be Spun on the Way to the Happy Home have been screened in international film festivals and across the country, and both have won many awards (including a Best Feature Film prize, the Motion Picture Award and three Best Documentary prizes, respectively). In 2011, he directed his second feature, the acclaimed The Idiotmaker's Gravity Tour, filmed predominantly in India. In 2013, he started shooting feature films in the San Francisco Bay Area. He is currently in post-production on Ezer Kenegdo and Raise Your Kids on Seltzer, both due out in 2015.
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