A still from Daniel Kremer's untitled seventh feature film, currently shooting.
Daniel Kremer was recently profiled in a piece for CineSource Magazine. He discusses his various endeavors in filmmaking and film writing. Subjects of conversation include: the approaching spring festival release of Ezer Kenegdo (2017), the ten years it took to finally complete Sophisticated Acquaintance (2007), and the renewed efforts to promote Raise Your Kids on Seltzer (2015).
Bricolage Films, the seven-person San Francisco Bay Area filmmaking collective that Kremer helped spearhead, now has a website. Doniphan Blair is writing a piece for CineSource covering the group's efforts; it is to run in February.
Kremer was also interviewed about his book Sidney J. Furie: Life and Films for Paul Rowlands's cinema blog Money Into Light. Read part one and part two.
This past month, critic/essayist Julie Kirgo and Oscar nominated documentarian Nick Redman conscripted Kremer -- as Joan Micklin Silver's biographer -- to provide an essay for the upcoming Twilight Time Blu Ray release of Chilly Scenes of Winter (1979). The piece is comprised largely extracts from the book-in-progress Joan Micklin Silver: From Hester Street to Hollywood. You can read part one, part two, and part three online. Kremer plans to finish the first draft of his manuscript in the summer of 2017.
Kremer was also interviewed on Microbudget Film Lab. You can watch that video interview here.
He also continues to work on the Susan Sontag on Cinema collection with Tom Luddy and David Thomson.
On February 7, Kremer guest-hosts a Projection Booth podcast on Jerry Schatzberg's masterpiece Puzzle of a Downfall Child (1970). The show features new interviews with Schatzberg and the film's male lead, Barry Primus. The following week, on February 14, he guest-hosts an episode on Chilly Scenes of Winter (1979). Interviewees include Joan Micklin Silver, John Heard, Griffin Dunne, and producer Amy Robinson. These shows will mark Kremer's third and fourth guest appearances on the show, following episodes on Sidney J. Furie's Hit! (1973) and The Entity (1982).
Kremer and cinematographer Aaron Hollander are hard at work shooting a new microbudget feature film throughout San Francisco, lensed in black-and-white and based on an obscure American novel from 1799. The film stars Alexander Hero, Ravi Valleti, Raul Delarosa, Randall Zielinski, Catherine Lerza, Tiziana Perinotti, Penny Werner, Lionel Desai, Lindsay Fishkin, and Kris Calagirone. Kremer also appears in a supporting role in indie film icon Rob Nilsson's latest feature drama The Fourth Movement, currently shooting.
Kremer also published pieces in Filmmaker Magazine and Keyframe on the Toronto International Film Festival premiere of Sidney J. Furie's A Cool Sound from Hell (1959) and his efforts to "evangelize" Sidney J. Furie's tragically underrated and often forgotten body of work.
Unsung Films, IndyRed, Rogue Cinema, and other review sites. Some key excerpts:
"From the beginning, the viewer finds himself piecing everything together slowly but with great eagerness. The director, Daniel Kremer, feeds in small doses of coherence until the picture is wholly clear. The stunning naturalness of the dialogue, the actors, the quiet poignancy of each scene, allows us to approach the film as though it were a dense novel. What is wholly clear from the beginning, however, is that the story unraveling is one that deals with an array of profound issues – Daniel Kremer opens his film on a Borges quote, 'To fall in love is to start a religion that has a fallible god' and an interview of an attorney being questioned on the cult of his defendant. Scenes shift with perfect fluidity. There are moments of extraordinary storytelling in this film, and the talent of the actors to make us believe them is abundant."
-Theo Alexander, Unsung Films
"[It] gives any larger budgeted counterparts a run for their money. Let the odd name make you stop and look, but let the quality keep you in your seat. Technically, there really isn't much to complain about here. Raise Your Kids On Seltzer generally offers up some nice visual candy. As far as indie productions go, I reiterate, some more budget heavy productions I've seen simply don't stack up to what's presented here. This is all pieced together with a very slick edit that keeps the narrative flowing nicely, while showcasing the best aspects. What are they? For me it was a no brainer...the cast of course! Never did I feel like I was watching a scripted film. Would I recommend it? Yes. I would even go as far as to say I would buy myself a DVD."
"The heart of the film exists in the naturalistic dialogue and domestic details painted by Penny Werner and Jeff Kao. They make amazing choices with their characters and the collaborative writing process yields very specific moments. The scenes between them crackle with authentic intimacy. They play the married couple as complex individuals who are genuinely curious about each other and their dreams. While Raise Your Kids on Seltzer is an ambitious and sometimes unwieldy effort, it is grounded by strong editing, solid 2.35:1 cinematography, and most importantly by the profoundly moving performances."
-Paul Busetti, Rogue Cinema
"There is self-assurance to the direction. The relationship between Terry and Tessa is strained and feels it, sometimes almost too well; one feels that awkward moment at a party when a couple snipe just a little too personally at one another. While that may make the viewer feel a little bit put off, that’s as it should be; if you’re going to make a movie about a relationship that is strained, the viewer should feel that strain as well. Penny Werner is mainly at the front and center as the emotional focus of the film. Werner is outgoing and an open book in many ways. Her Tessa is the kind of Jewish woman that makes the world a better place; she’s funny, pretty and pragmatic."
-Carlos deVillalvilla, Cinema365